Carissa's Bridals at JSMB and Memory Grove

It is with great honor that I was able to shoot Carissa's wedding.  Not only is she stunning, but we are actually somewhat related (she is the daughter of my wife's cousin - whatever that works out to be).  I absolutely loved her bridal pictures. We shot some of them at the Joseph Smith Memorial Building (JSMB) down by the Salt Lake Temple, and the rest we shot outside at Memory Grove which is just down the hill from the Utah State Capitol Building. I'll share her wedding pictures later, but for now, check these out!

Lavender Fields Forever

Let me apologize up front for the title of this post, which is a play on the song by the Beatles entitled Stawberry Fields Forever.

I recently became aware that the lavender plants at the Young Living Lavender Farms in Mona, Utah were in bloom and I wanted to take a trip down there to see what a photo shoot there would be like.  And the more I thought about it, the more I got the words Lavender Fields Forever stuck in my mind.

But I'm really not a landscape photographer. I'm more of a people photographer. So I couldn't very well just show up and take pictures of the landscape.  So what would contrast most with a field of lavender?  What would stand out and really show up against a sea of purple? Well... a bride dressed in white, of course!

But I did not have a bride available right at the moment.  So I put the call out for a model with a wedding dress.  Charolett Ann Reynolds jumped in and volunteered. And I asked Pete Hansen to come and help with the lights.

We hit the road heading south for Mona, Utah a bit early. Too early, in fact, for the kind of lighting that I was hoping to get at the lavender farms.  And so we decided that we would look for a place to stop along the way where we could do a little shooting ahead of time.

Driving down I-15 we could actually see the lavender farms from the freeway. I could already tell they were going to be beautiful. The purple really stood out as a different type of "scene" from what you normally expect to see driving down the road.

We took the Mona exit and as we were driving down the road I saw this beautiful wheat field off to the east. It almost begged for us to stop.  So we pulled over at an open gate and walked in.  We didn't have to walk far before we were surrounded by wheat.  To the east of us stood the Rocky Mountains and we first shot some pictures there with the sun on the Charolett's face (not my usual style of lighting).  The combination of wheat and mountains looked cool, but her squinting, not so much.  Earlier I had talked about "beating the sun" (with the flash) and Pete piped up "Let's beat the sun!". And so we turned her around and put her back to the sun.  The sun was directly in the shot to the west, so I tried to balance things in a couple of different ways. My van was off to the right which kind of forced my hand on composition.  So I positioned myself and my angle so that the van was just outside the frame.  This gave a nice opportunity for a sort of leaning triangle ... with the bride leaning in towards the center (her pose itself another triangle), the sun at the top of the triangle and the tree becoming the right side of the triangle.

We then lit her up with a Canon 580 EXII flash using a PocketWizard TT5 to fire it remotely. The light on her needed to be balanced against the sunlight so I had to shoot at high speed sync (1/2500 of a sec). The picture was taken with a Canon 5D Mark II at ISO 100 using a Canon 24-70 f/2.8L lens at f/3.2.





This was the earlier shot, with the mountains in the background (I am facing east with the sun behind me to the west):



We took a few shots there in the field, then ran across the street for a couple more shots. This first one has Charolett up against the tree that you saw in the background of the first picture:



Then we moved over to the hay stacks to get a couple of shots there. In this first one, the sun is directly behind her and Pete is lighting her up with the flash so that she doesn't turn into a silhouette:



Here you can see how the sun is lighting up her veil from the back side (west side) while Pete is lighting up her face with the flash:



Finally, we got in the van and headed for the main attraction ... the lavender farms. When we arrived, there was already another bride there getting her pictures taken as well as a family session that was going on out to the east.

The farm is big, but the two groups there sort of forced my hand as to where we would position ourselves. I didn't want to include the other bride in my pictures (she was to the west of us), nor did I want to get into the frame of the family pictures that were being taken to the east of us. So we really didn't go very far. We were just off the dirt road when I took this picture which shows the rows and rows of lavender plants:



In the above, the soon to be setting sun is to our right lighting up the veil and the tops of the plants, while Pete is to the left lighting up her face. Here is a similar shot with only small changes in what we're doing:



I kept complaining about how short I was and how I wished I had brought a ladder (note to self: bring a ladder next time!), but Pete suggested that I climb on top of my van. NO - I would never do that. What if my kids found out. Oh what the heck, they are all grown up anyway! So up I went. And here is another view of Charolett, this time looking down from above so that I can make the entire background purple from the lavender field:



With the sun soon to be setting, we decided to switch sides so that we could include the sunset without including in the picture the porta-potty that was on the road to our right. In this first shot, I'm shooting for an almost natural light exposure with the flash just adding a little extra touch. This brought up the light a bit and also changed the white balance a bit. But I thought Charolett looked so cute sitting in the field (she is in between rows sitting on the dirt, no plants were harmed in the making of these images):



Darkening the ambient exposure quite a bit, and lighting her up with the flash (this time with a Lastolite Ezybox Softbox on it) we get this (note that the sun is still bright enough that it is lighting up the back of her hair):



Another cute shot of Charolett, this time including the sky from the sun which has just set:



And a couple of final shots of Charolett, the lavender field, and the sunset with Pete's help on the lights (two lights are being used here, one on Charolett and a 2nd light to light up the field behind her so that the field doesn't go black - remember, we wanted purple!):





Thanks Pete and Charolett for your help. I had a great time, learned a lot, and we got some great pictures to show for our efforts.

Lavender Fields Forever!

Scott and Katie's "First Look"

What is the "First Look"? It's that first moment when the groom sees his lovely bride in her wedding dress. It's that moment that his heart skips a beat as he realizes it's really happening. It's that moment of confirmation that she sees in his eyes his deep felt love for her. It's that magical moment she has always dreamed of and wished for.

Why do a First Look session?

• Because it allows us to capture that rare moment in its entirety.
• Because without the rush of the ceremony and the crowds that follow we can spend more time photographing you and your fiancée.
• Because getting pictures of you before the ceremony will allow us more time to get the necessary family pictures after the ceremony.

For Scott and Katie, we had already discussed the possibility of doing a Formals Session (bride and groom together - sometimes called Bridals and Groomals) with them at Thanksgiving Point Gardens where they planned to hold their wedding reception.  But I suggested to her that we could do something more - that we could make the whole process more special to both of them by doing a First Look session.

For this session, I had Pete Hansen come and assist me.  I feel it's necessary to use at least two photographers for a First Look so that you can capture both the bride and the groom's reactions simultaneously and without interruption.  This is to be a "special moment" and the bride and groom should not be thinking about the cameras.  They should only be thinking about each other.

While Katie was still getting ready, I sent Pete on down to the Secret Garden area of the Thanksgiving Point Gardens.  I asked him to stop along the way and get a few shots of the gallant Mr. Henderson.  And wow, did he ever.  Scott is very handsome and Pete captured his personality well.

Meanwhile I stayed back and waited for Katie to finish getting ready.  And once she was done I then proceeded to do the same thing, capturing images of Katie as we progressed towards the Secret Garden.  It was there, at the Secret Garden, where we choreographed the encounter.  We set up how Scott would be waiting and how Katie would come in to find her man.  We set up how we would capture both angles at once and then just set things in motion and let it unfold.

Below are some of the images we captured, on the way to the Secret Garden.  During the First Look, and also afterwards as we completed their Formals Session.









Here is where we bring Katie into the Secret Garden area where Scott has been patiently waiting:



I love this contemplative image of Scott as he waits while his bride approaches:



And the smile on Katie's face as she first spots her man:



The pure joy on Scott's face as Katie calls his name and he turns to see her:



Checking her out and giving his obvious approval:



Stepping back - this is what we saw - the "big picture" so to speak:







We let Scott and Katie enjoy each other's company for several minutes without interruption so that they could just soak each other in. And then we moved on to the Formals (getting pictures of the two of them together). Please enjoy the rest of the images, thanks for visiting! :)



























Doesn't Katie just look like she belongs on the cover of a Bridal Magazine?



Don't they BOTH look like they belong there?